Building Recladding

Fresh Faced: For three moribund buildings, new envelopes restart the clock
 
Sponsored by Armstrong World Industries
Architectural Record
By Katharine Logan
 
1 AIA LU/HSW; 0.1 ICC CEU; 0.1 IACET CEU*; 1 AIBD P-CE; AAA 1 Structured Learning Hour; This course can be self-reported to the AANB, as per their CE Guidelines; AAPEI 1 Structured Learning Hour; This course can be self-reported to the AIBC, as per their CE Guidelines.; MAA 1 Structured Learning Hour; This course can be self-reported to the NLAA.; This course can be self-reported to the NSAA; NWTAA 1 Structured Learning Hour; OAA 1 Learning Hour; SAA 1 Hour of Core Learning

Learning Objectives:

  1. Outline the characteristics that make many midcentury facades obsolete.
  2. Discuss recent construction and design-industry trends that are making building recladding a more attractive practice than it once was.
  3. Describe the recladding strategies for three commercial projects and explain how the new skins improved performance and marketability.
  4. Discuss how the three projects addressed budget, construction, and structural constraints.

This course is part of the Sustainability Academy

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Where 100 Stockton had dwindled as a retail space, 660 Fifth Avenue, a 39-story tower-on-podium office building (numbered 666 before rebranding) in Midtown Manhat­tan, had declined as a workplace. With a column grid of less than 20 feet (compared to today’s spacing of 35 or even 45 feet for Class A premises) and 11-foot floor-to-floor heights (low by contemporary standards), the building struggled to attract tenants. Not helping was the building envelope—pioneering when it was built, in 1957—comprising unsealed and uninsulated modular panels of punched aluminum and single-pane glass. “It could have been a teardown and rebuild,” says Lauren Schmidt, a principal in the New York office of KPF. “But being able to understand the value that’s there—in terms of embodied carbon, a structure that’s still perfectly functional, and a floor-area ratio that wouldn’t be permitted under today’s zoning—and upgrade it to something that can compete with new construction is something we were all hoping to achieve.”

PHOTOGRAPHY: © RAIMUND KOCH, COURTESY KPF

Pioneering when it was completed in 1957, 660 Fifth Avenue, in New York, was clad in uninsulated punched aluminum panels.

Photo courtesy of BROOKFIELD PROPERTIES

The main move in that achievement (completed in 2022) is a new, high-performance envelope distinguished by outsize glass panels that span the entire 20-foot column bay. Not just for the wow factor, these dramatic openings are a rational response to the constraints of the existing structure: on the one hand, 4-inch wire-mesh-reinforced floor slabs had no capacity to bear the weight of a new curtain wall, and, on the other hand, perimeter columns had capacity to spare. The design team reached the full-bay solution by increments, first modeling a 5-foot mullion interval (which would have required supplementary structure between columns) for a typical office module, then—asking, “how can we set ourselves apart from what’s out there?”—a 10-foot interval that aligned with structural columns and existing intermediate air-distribution columns (which would also have required additional structure), and, finally, removing those intermediate columns (and supplying air from above) to span the structural columns uninterrupted.

The approach turned out to be equally rational from a fabrication perspective. Work­ing with Front as the facade consultant, the team learned that jumbo-lite glass comes off the production line with a height of 10½ feet, which would work perfectly for the floor-to-ceiling units, and a width of 19 feet, 1 inch, which meant that the fabricator would need to trim just once, for the 18½-foot width required. Making only one cut resulted in less handling and less glass waste, which also made the wider span more economical compared to a 5-foot module. And with 75 percent fewer mullions (which is where thermal bridging occurs), the double-glazed units and their frames achieve a U-value that’s equivalent to a 5-foot module with triple glazing. On top of that, the speed of the large panels’ installation (using a tower crane because there was no place on the building strong enough to set the panels down) took the entire team by surprise: by the time would-be spectators stopped by in late morning, day one’s work was already done.

PHOTOGRAPHY: COURTESY KPF

The revamp of 660 Fifth Avenue by KPF includes outsize 20-foot-long glazing panels.

© RAIMUND KOCH, COURTESY KPF

Image courtesy KPF

Fifth Avenue facade panel detail.

As a marker of the success of the repositioning, even with its tighter-than-preferred column grid, the once largely empty building now competes with more typical Class-A space. “People you bring to the building immediately understand how it’s different—in a quality way,” Schmidt says. “It becomes something that attracts people who are excited about enjoying good space.”

Even when there’s no need either to change a building’s program or to compete for new tenants, sometimes it’s just time for an upgrade. That was the case for the Arthur J. Altmeyer Federal Building, the 10-story headquarters of the Social Secu­rity Adminis­tration (SSA), built in 1959 and unimproved since. With a poorly insulated envelope of cast concrete and high strip windows, and an interior layout of double-loaded corridors and perimeter offices that pushed support staff to the middle, access to daylight and views was limited throughout, and thermal comfort was conspicuous by its absence. “I recall moving from one side of the building to the other and having a temperature swing of about 20 degrees,” says Matthew Kreilich, design principal at Snow Kreilich, of his initial site visit. “Occupant experience was a major driver,” adds Kathryn Van Nelson, a senior associate at the firm.

The renovation, completed as part of the U.S. General Services Administration’s Design Excellence Program, faced significant constraints. These included a tight budget, the vagaries of an existing structure (which offered up some severe variations in tolerances for the recladding to accommodate), security criteria, and limited ability to upgrade the environmental-control system, due to the building’s tie-in to an existing central plant that was housed in its basement.

On the plus side, the east–west orientation of the building’s length was ideal for designing the facade to maximize passive energy performance. Using a cost-effective unitized curtain wall that integrates floor-to-ceiling low-E insulated glass and anodized aluminum mullions and panels, the new facade varies in opacity from elevation to elevation in response to insolation (the amount of solar radiation reaching a surface). “It seems simple that you don’t just put the same facade around the entire building,” says Kreilich, “but, back in the Modernist era, that’s what we did. Either we weren’t conscious [of the energy implications], or maybe we were just stubborn.”

PHOTOGRAPHY: © HALL+MERRICK/KENDALL MCCAUGHERTY

In Maryland, Snow Kreilich replaced the thermally inefficient cast-concrete envelope on a 1959 federal office building with a skin of glass and vertical aluminum panels.

Photo courtesy of SSA/GSA

North elevations typically aren’t considered to need sun protection, but the new envelope’s meticulous design accounts for the fact that, between the spring and fall equinoxes, the sun rises north of east and sets north of west. Across the north facade, which is the building’s main face, vertical aluminum panels widen to increase opacity as they approach east and west, adding expression as well as protection to the facade composition. On the east and west facades, opacity increases even further to guard against low-angle solar gains. An applied ceramic frit, configured to account both for solar orientation and for free shading from nearby buildings and mature trees, further mitigates solar gains as well as glare.

Essential to the success of the modernization was a collaborative approach to design, says Van Nelson. Working closely with the project’s mechanical consultant, curtain wall fabricators, and Studio NYL as the facade consultant, the architect fine-tuned the envelope design to reconcile multiple variables. To ensure that the final product performed as designed, a building-enclosure commissioning professional, WDP & Associates, reviewed the installation, conducting third-party peer reviews throughout the design and fabrication process, on field tests, lab mock-ups, and whole-building air-leakage testing. “The enclosure is generally the most important part of the mechanical system,” says Studio NYL’s Babbington. “Given the tight constraints with this project, we had to make sure that was true.”

As a result of the modernization (which included reconfiguring the interior layout), one of the most unpopular buildings on the SSA campus has become the most loved, Kreilich reports. “To be able to move from space to space and not have a temperature swing, it’s a big deal,” he says. “And the impact of bringing in floor-to-ceiling glass, opening up the floor plates, rethinking the stairwells, and connecting to new, Olin-designed gardens is that now everyone wants to move into that building.”

The building enclosure is arguably architecture’s hardest-working system. Done well, it keeps out the weather, lets in daylight and views, links indoors and out, maintains thermal comfort, expresses function, tectonics, and identity, and contributes to the vitality of the public domain. As mid-20th-century buildings come up for renewal, projects like 100 Stockton, 660 Fifth, and the Altmeyer Building demonstrate what a new envelope can do to reinvent them as virtually new buildings.

Supplemental Materials:

Rossi, David. “The Renovation and Retrofit of 100 Stockton Street: converting an introvert into an extrovert”. Structure Magazine, vol. 29, no. 3, March 2022, pp. 51-53.

ARCHITECTURAL RECORD
Armstrong World Industries

 

 
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Originally published in February 2024


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