
Photo © Robert Benson
ECoRE, The Pennsylvania State University.
This special series examines programmatically flexible facilities for STEM-related fields on college and university campuses. Each project highlights pragmatic design and the latest in energy-efficient building technologies and systems.
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Higher Ground
KieranTimberlake’s partially buried Scaife Hall revitalizes a neglected corner of Carnegie Mellon’s campus
By leopoldo villardi

“A cornerstone site for an engineering building? That’s unusual on a campus nowadays,” says architect Stephen Kieran of Scaife Hall, the first project by his firm, KieranTimberlake, at Carnegie Mellon University (CMU). The building, situated on the steep slopes of Pittsburgh’s Junction Hollow ravine, is the new home of the school’s mechanical engineering department and acts as a campus gateway at its southwest edge.

Photo © Sahar Coston-Hardy / ESTO
The cornerstone site abuts Baker-Porter and Hamerschlag halls.
“We wanted to restore lost vitality. Over time, that part of campus had become back-of-house instead of front-of-house,” he adds. But building on such a prominent site also meant contending with CMU’s architectural heritage, including significant neighbors by fin de siècle architect Henry Hornbostel. Many structures at the university bear his signature brawny industrial classicism, which served as a potent analogy for the school’s focus on nurturing both the arts and the sciences. To the north, with its arched smokestack, is Hamerschlag Hall; to the east is the 1,000-foot-long Baker-Porter Hall, known for its linear hallway and daring stair of Guastavino tiles. (Notably, Hornbostel was the architect of the Queensborough and Hell Gate bridges in New York.)
Scaife Hall replaces an earlier structure of the same name, designed by Altenhof & Brown and completed in 1962, which featured an attached sculptural auditorium wittily dubbed the “potato chip” for its saddle-shaped roof. “It was really tight, with crammed rooms that weren’t feasible to renovate,” says KieranTimberlake principal Brendan Miller.
The replacement is 85,000 square feet—double the area of the original—and includes a diverse program organized into three distinct volumes. “Mechanical engineering today is not the discipline that you and I learned about while in architecture school,” says Kieran. The field, he explains, now encompasses robotics (and organic “soft-botics”), biomechanics, wearable technology, machine learning, and much more—meaning spaces needed to accommodate a broad range of research and uses.
A two-story brick-clad volume, running parallel to the hill into which it is nestled and accounting for about half of Scaife’s total square footage, houses an open-plan area for doctoral researchers and their workstations and a double-height drone arena, as well as wet and dry laboratories, pressurized relative to neighboring spaces to prevent contamination. “Windows introduce daylight to the desk spaces, and then we buried the labs deep into the hillside,” Kieran explains. “That keeps them very stable in terms of temperature.” Above this plinth, a two-story bar, accommodating seminar rooms and offices, continues the visual patter of Baker-Porter’s lengthy elevation along Frew Street. This bar also hovers above the ground plane, allowing emergency-vehicle access beneath it and creating sight lines into campus from the street. Last, a four-story cubic tower, with the hall’s auditorium and faculty offices, stands sentry at the campus’s southwest corner. Kieran likens it to an acropolis, for the sciences.
The configuration, says Miller, also forms a hardscaped quad (with great views of the University of Pittsburgh’s Cathedral of Learning) between Scaife and neighboring Hamerschlag, Roberts, ANSYS, and Baker-Porter halls—which together comprise the nucleus of engineering facilities. The quad is programmed with a café, housed in Scaife. “Students spend a lot of time here, and having that amenity allows them to really make it their own,” says Miller. Click here to continue...
Reset the Bar
Ross Barney Architects’ Foglia Center brings thoughtful design to industrial spaces.
By James Gauer

As the cost of four-year degrees at colleges and universities grows ever less affordable, two-year programs at community colleges are becoming an increasingly attractive option for higher education. But the campuses of these institutions have generally not been places of great architectural distinction. That is changing. If you want proof, look at McHenry County College (MCC) in Crystal Lake, Illinois, 45 miles northwest of Chicago, where Ross Barney Architects (RBA) has recently completed the Foglia Center for Advanced Technology and Innovation (CATI), a sophisticated hub for research, technology, and creative collaboration.
MCC, established in 1967, focuses on workforce training. “This isn’t an Ivy League institution,” says RBA design principal and founder Carol Ross Barney, recipient of the 2023 American Institute of Architects Gold Medal. “It’s just a small community college in rural Illinois, trying to prepare students for both traditional and emerging technologies and trades.” MCC has forged strategic relationships with local manufacturers who need employees with such training, and CATI was designed to meet this demand, putting its graduates on a path to good jobs.
The new 48,000-square-foot facility is named after local manufacturers and philanthropists Vince and Pat Foglia. Located at the southeastern edge of MCC’s campus, it’s flanked by an access road and parking lots. It was not a promising site, but Ross Barney and her team made it work by integrating their project cohesively with existing buildings. They inserted a bar—an elongated rectangular volume—parallel to an adjacent bar of automotive shops to the west. The void between them functions as a service drive. To the east is a landscaped stormwater-infiltration basin.

Several additive elements punctuate the straightforward rectilinear massing: a long shed-roofed clerestory rises above a flat roof; two mechanical wells project out and up from the west facade; and the lower level of the south wall extends to enclose an outdoor lab. At the north end is the main entrance, a sculptural collage that includes a generous canopy, a long ramp, and two stairs, one of which leads down to a lower-level entry.
Bar buildings may appear simple in site-planning diagrams, but there’s a lot going on inside this one to accommodate a varied program. “I’m a plan freak,” says Ross Barney, “and this plan is informed by the allocation of resources.” A circulation spine below the clerestory divides the volume asymmetrically along its length and offers open areas for informal collaboration, relaxing, socializing, and studying.
To the east are two floors of classrooms and labs for engineering technology, artificial intelligence (AI), industrial maintenance, manufacturing, and computer numerical control (CNC) milling, along with administration, service spaces, and a metal-fabrication shop. A makerspace, showcasing robotics and 3D printing, is located near the entry and open to the public. In tandem with an adjacent conference room, it serves as an incubator for students, faculty, and outside manufacturing partners to meet, share ideas, and develop prototypes.
To the west are three double-height labs for welding, HVAC, and more CNC milling, plus a stair with tiered seating that serves as an occasional lecture hall and event space. On the second floor, the circulation spine pulls back from the labs, allowing daylight from the clerestory to reach the floor below, while also forming catwalks protected by gridded steel railings. These provide opportunities to observe activity in the labs, whose enclosures incorporate plentiful glass, putting their impressive inner workings on display and offering an astonishing degree of transparency. Click here to continue...










